Seeing the Unseen Part 2: Patterns

Deborah DeLue • May 29, 2026

The Art of Applied Visual Thinking



The official newsletter of Applied Visual Thinking SUPERHEROES
Vol. 7 No. 11  May 29, 2026


drawing with a group of people around a conference table. a person stands at a flipchart at the end talking and pointing. there is a steak at the top and 3 bullet points on the flipchart

Superhero Truth: 


A pattern only becomes visible when you have enough data points to connect. 


The drawing is how you get enough data points in one place.

SEEING THE UNSEEN, PART 2: 

The Shape of What Keeps Happening

Last issue, we looked at assumptions, the invisible beliefs that steer our thinking before we've even started. If you tried the activity (surfacing one hidden assumption before a meeting), you may have noticed something interesting: some of those assumptions keep showing up. Same shapes, different rooms. Different projects, same stuck places. That's a pattern. And patterns, once seen, are among the most powerful things visual thinking can reveal.


YOU SEE…

Shifting your mindset is not as simple as changing a spark plug.

We love the spark plug metaphor because it implies something mechanical: a clean swap, a simple fix. But a mindset isn't a part. It's a pattern. It's a groove worn into the way a person (or a team, or an organization) makes sense of the world. You don't replace it. You see it, clearly and honestly, without flinching, and then you start making deliberate choices that gradually carve a different groove. Visual thinking is one of the best tools we have for this, because patterns are spatial. They have shapes. They repeat. And shapes, unlike abstract ideas, can be drawn.

 

Creating a visual history map doesn't just happen by magic. It happens because someone had the courage to say: "Let's draw out what's actually been happening here. All of it. Let's see what it looks like."


THE PATTERNS REVEALED BY VISUAL THINKING 

Patterns show up at every scale. And here's something worth holding as you read: not all of them are problems. Some patterns, once seen, turn out to be quiet superpowers waiting to be named and repeated on purpose. Others, once seen, turn out to be the exact thing that's been holding you back. Visual thinking doesn't judge which is which. It just makes them visible so you can decide.

Drawing of a hand drawing a chronodex diagram in a notebook

Personal patterns. The time of day your ideas are sharpest. The way you needlessly apologize for something outside of your control.  The way you organize your workflow.  You can easily make these patterns visible. A simple visual log, even just a symbol per day, can quickly illuminate these patterns. And sometimes what you discover is a consistent creative rhythm you never knew to protect.

 

Team patterns. Where the energy rises, and where it drops. Who speaks first. Whose ideas get built on. Which types of problems get escalated and which get quietly buried. Which tasks, projects and individual contributions receive recognition. When you map a team's dynamics visually over time, shapes emerge that no individual conversation would reveal. Some of those shapes are genuinely beautiful: the team that reliably lifts each other at the hardest moments, the person who finds the bridge between two competing views. Others signal something that needs addressing. Both are worth seeing.

 

Organizational patterns. The project type that consistently exceeds expectations versus the one that typically runs over budget. The department that always finds a way to deliver versus the one that repeatedly extends deadlines. The decision that gets made and then quietly unmade. The leader whose meetings people actually want to attend. Timeline maps, process diagrams, and visual retrospectives make organizational patterns visible in ways that spreadsheets (even accurate ones) rarely do. The goal isn't to find only what's broken. It's to see clearly what's actually happening, so you can do more of what works and less of what doesn't.

 

Systemic patterns. The recurring gap between what gets announced and what gets resourced. The consistent absence of certain voices from certain tables. The shape of what's measured versus what's valued. But also: the informal networks that actually get things done, the cross-functional relationships that nobody put on the org chart but that hold the whole thing together. These patterns live at the highest level, and they require the most courage to draw, because what you find may be harder to ignore and more challenging to address. (We'll come back to systemic gaps in Part 4.)


THE GIFT OF THE RECURRING SHAPE

Here's what's quietly remarkable about patterns: once you can see one, you can't unsee it. The visual stays with you. It changes how you read the room, how you hear the conversation, how you understand what's actually being asked. This is one of the deepest gifts of a regular visual thinking practice. Not just the beautiful sketchnote or the elegant diagram (though the value of those is real). But the trained eye. The ability to walk into a conversation and notice: oh, there's that shape again.

 

A facilitator who has mapped enough team retrospectives starts to recognize when a team is in a freeze pattern versus a spin pattern. A leader who has drawn out enough project timelines starts to feel the warning signs before the crisis arrives. A teacher who has visualized enough student journeys starts to see which moments reliably produce confusion and which reliably produce breakthrough. The pattern is the intelligence. The drawing is how you access it.


YOU KNOW…

Patterns are facts. But facts without form are easy to dismiss. "We've had three failed handoffs in the last year" lands differently when it's a spoken sentence than when it's a drawn timeline with three visible gaps in the same place. The same information; entirely different impact. The visual isn't decoration for the data. It is the data, in a form that makes the pattern undeniable.

 

University of Minnesota researchers observed as long ago as 1986 and subsequent studies support that presentations using visuals are 43-67% more persuasive than those using words alone. Further, they found that the effect was strongest when the visuals were directly tied to the evidence being presented. The visual doesn't just make the fact prettier. It makes the pattern visible.


Drawing of a woman sketching a diagram on a glass board saying

THIS WEEK'S ACTIVITY: DRAW YOUR RECURRING SHAPE

Pick one area of your work or practice where you sense a recurring pattern, something that keeps happening, a loop you can't quite escape, a shape that shows up again and again.

  1. Draw the loop. Literally. Where does it start? What happens next? Where does it stall? Where does it restart? Use arrows, shapes, whatever feels right.
  2. Label the nodes. What's happening at each point in the loop? Who's involved? What's the feeling?
  3. Circle the place where change is most possible. Not necessarily the most dramatic place. Often the most leveraged place is quieter than you'd expect.
  4. Ask: "If I could only intervene at one point in this pattern, just once, where would it be?"

That question is a different conversation than "how do we fix this?" And it usually gets somewhere faster. Share your loop with us: #appliedviz

 

Coming up in Part 3: We've looked at the invisible things in our minds (assumptions) and in our systems (patterns). Next, we're going somewhere more personal: the invisible things in our bodies and relationships, our emotions. What does it look like when visual thinking helps people feel seen? Until then, keep visualizing the patterns.

 

References:

Persuasion and the Role of Visual Presentation Support: The UM/3M Study by D. R. Vogel, 0. W. Dickson, and J. A. Lehman  https://cs.furman.edu/~tallen/fywX1118/pdfs/persuasion_article.pdf



Share with a friend

Drawing of two teams with thought bubbles. #1: a leaky pipe diagram X's. #2 overlapping circles.
By Sheri Kennedy May 15, 2026
The Art of Applied Visual Thinking Vol. 7 No. 10 May 15, 2026 – SEEING THE UNSEEN, PART 1: What's Hiding in Plain Sight?
A finished color sketchnote surrounded by earlier draft versions in black and white, with drawing to
By Deborah DeLue April 30, 2026
The Art of Applied Visual Thinking Vol. 7 No.9, May 1, 2026. Embrace your imperfect practice.
A drawing with 3 templates. A cliff to leap from start to finish, a 4x4 grid with money on one axis,
By Sheri Kennedy April 17, 2026
The Art of Applied Visual Thinking Vol. 7 No. 8 April 17, 2026 – Visual Courage, Part 3: Visual Thinking in High-Stakes Rooms
Visual thinker taking small steps.
By Deborah DeLue April 1, 2026
The Art of Applied Visual Thinking Vol. 7 No. 7 VISUAL COURAGE Part 2: Sharing Your Work
A cougar with orange fur, green eyes and an open mouth showing teeth.
By Sheri Kennedy March 20, 2026
The Art of Applied Visual Thinking Vol. 7 No. 6 March 20, 2026 – Visual Courage, Part 1: Facing the Blank Page
cute before and after cartoon of a d.i y. distraction-busting doorstop to keep kitties out
By Deborah DeLue March 5, 2026
The Art of Applied Visual Thinking Vol 7 No 5 March 6, 2026 - Tame Your Distraction Dragons with Visuals! Part 2
Drawing of a person sewing a heart in a sketchbook containing a flower stapled in and a bandage.
By Sheri Kennedy February 20, 2026
The Art of Applied Visual Thinking Vol. 7 No. 4 February 20 – The Art of Coming Back: Repair Discipline for Your Visual Practice
Person holding a slingshot, shooting for the moon.
By Deborah DeLue February 6, 2026
The Art of Applied Visual Thinking Vol. 7 No 3 Feb 6, 2026 The Good Kind of Uncomfortable: Growth Discipline for Your Visual Practice
Drawing with a person holding a platform with 3 buckets. The second and third buckets are grayed out
By Sheri Kennedy January 24, 2026
The Art of Applied Visual Thinking Vol. 7 No. 2 January 23 – The Power of Showing Up: Maintenance Discipline for Your Visual Practice
drawing with a person holding a platform with 3 buckets
By Deborah Delue January 9, 2026
The Art of Applied Visual Thinking Vol. 7 No 1 Jan 9, 2026 The Just-Right Visual: Three types of discipline for your visual practice.
Show More